Showing posts with label imsoconfused. Show all posts
Showing posts with label imsoconfused. Show all posts

"Le Gay Paree", we are not

So, the Tour de France came through York this past weekend, the second of three English stages this time around (of which two in Yorkshire). And because I'm sorry that I've been delayed in posting (travelling, among other things, to Aberdeen for a French conference--what?), that's what we're going to talk about for lack of more substantive material!

You see, York got really into this, especially once England wasn't in the World Cup any more. Bunting everywhere. Yellow bikes everywhere. And more strangely, French flags everywhere. OK, I get it--but what I found really funny was the following attempt to "Frenchify" one of our local streets, St. Leonard's Place, thusly:


Yep, that's a copy of a Parisian street sign (which I will readily admit are a lot classier than the British black-and-white, let alone the American). Not that the entirety of the Tour takes place in Paris, either, but ok, whatever. What's hilarious here is the precise execution.

Firstly, "boulevard"? What? Actually this street might be as close as we get in York (it's actually as close as we get to London, really, never mind that the building so decorated is abandoned), but this street just ain't it. It curves, for a start, and that's exactly what the boulevards were not meant to do when Paris was being reinvented in the nineteenth century. Also, it's like maybe 200 yards long, tops. One hundred? Not to mention that "place" would be entirely legit French--heck, that's where we borrowed it from. But hey, whatever.

Weirder: Second arrondissement? This makes sense in Paris, and I suppose you have to find something to fill in the little circle-y bit, but we don't have those here. Why second? If anything, since the street is in the formerly-Roman-fortress bit of York, it should be the first arrondissement (the civilian town across the river was clearly second-rate at the time). My best guess is that it's because we're the second stage on the Tour? Otherwise, someone must have got out the random number generator, or maybe just really liked that bit of Paris a lot. I don't know.

Finally, my favorite things about Parisian street signs are that they teach you a bit about history. Take, for example, the following (entirely coincidentally from the actual deuxième arrondissement):

Source: http://blog.groupon.fr/2013/05/31/mon-quartier-prefere-etienne-marcel/

Whenever a street is named after a person (as well as events, perhaps places, etc.), the sign itself tells you more. Marcel, we can see, was prévôt des marchands in the fourteenth century--although this only hints at his role in the uprising of the capital in 1358-9 (seriously, look it up, it's crazy stuff). You get to know a starting-point, get to place them in time, ground yourself in history. So cool.

Which brings us back to the "Boulevard St Leonard". 1944-2014? This is not what those numbers do.

A quick search reveals what I had immediately suspected--St. Leonard did not, in fact, die just this year! (For the record, the fact that the medieval hospice of St. Leonard is just around the corner is a good clue). In fact, he was a 6th-century saint from France. "m. v 559" would be appropriate text for the sign in York. But instead, we get the end of WWII, and today. Did they even know what the numbers usually mean?

Now, I think they were trying to do some sort of commemoration (strangely competing with the WWI centenary there), because there was a giant old airplane parked on top of the theatre across the street--which was admittedly kinda neat. And I believe that Yorkshire soldiers were, like soldiers from many other places in Britain, involved in the liberation of France. But that's got nothing whatsoever to do with this street, and sticking these dates on the sign like that is just... confusing, actually. It makes it seem like this street somehow mattered in WWII, and has stuck around since then? I just don't get it.

And actually, as a French saint, St. Leonard's got some cool cross-Channel connections to be pointed out too.

At any rate, the cyclists have gone now, and I'm sure the signs will be going soon too (the plane has left, for instance). Then I can stop being slightly weirded out by the whole thing.

Life in the Galleries: Getting Around

So, many weird things happen in museums. Visitors are most of them. I do intend to come up with a "please never do this" list at some point, but meanwhile I just want to address some of the strange conversations I (or, by report, other guides) have had over the years with regards to different difficulties apparently faced for no particular reason, and other general weirdnesses.

Let's start with the basics: navigating the museum. I should specify that all the museums I have ever worked in have been one-way routes.

Visitor, having come into gallery: Which way do we start?
Guide, confused: ...Um
Visitor: Or don't you know?
Guide: No, it just doesn't matter. 

***
 
Visitor, coming up to guide on gallery: Excuse me, how do we get in?
Guide, confused: ...to where?
Visitor: To the exhibit.
Guide: Um... where did you come in?
Visitor: Over there. ~points to entrance~ How do we get to the exhibit?
Guide: This is the exhibit.
Visitor: Yes, but how do we get in?

***

Visitor, walking into gallery: Where do we start?
Guide: Well, I'd suggest looking at the objects.

***

Visitor, in room with single exit: How do we carry on from here?
Guide: would like to say By walking, but instead contents self with pointing to the door

***

Visitor, to friend: How do we get out of here? ~heads straight for large fire door covered with signs saying "alarmed door" in several languages~


There are clearly all kinds of problem going on here, not to mention the number of people who manage to go around backwards through an entire museum without apparently ever noticing that nothing's in order. Fine. Not really my problem; we've done what we can. But these are really tricky questions to answer sometimes, as a guide, so if it takes us a moment to answer, it's not because we don't know the layout of our own museum* but because we're trying to figure out what information we can possibly provide that you don't already have.


*Thanks, by the way, for making that assumption, visitor.